Need a DCP?
Corporate bureaucracies quoting you an arm and a leg? Just have Matt do it.
Tired of dealing with client service reps who have no clue about the underlying service they're providing? Talk to Matt directly.
Only have a stereo mix? 5.1? 7.1? Object-based IAB? It doesn't matter, Matt can do it.
SMPTE? IOP? Matt's got it handled.
2K? 4K? Flat? Scope? Whatever you need, Matt will make it happen.
Don't understand any of this technobabble?
Don't fret! Matt will talk directly to your venues, cross-reference your source file attributes, and determine the ideal DCP spec for your film.
Matt has prepared DCPs for:
What Matt Offers
A Pristine
Image
A Myriad of Audio Configurations
Full Service
Timed Text
Matt will ensure your film has the highest possible fidelity to the source in its DCP format by using precise color science, high-bitrate J2K compression, and careful manual comparison of the DCP output to the original source files.
Whether your film has a standard 5.1 or 7.1 mix, a low-budget 2.0 or mono mix, a state-of-the-art object-based immersive mix, or something more atypical, Matt will author it into your DCP in a way that both preserves the mix's creative intent and maximizes compatibility across different cinema equipment.
Captions and subtitles, open or closed, are another speciality of Matt's. Feel free to provide your own for Matt to reformat to the SMPTE DCDM subtitle specification or to have Matt create from scratch.
Expert
Quality Control
Matt has provided master-level quality control services for hundreds of films, many of them mega-budget Hollywood blockbusters. Matt will employ his knowledge and experience in this area to ensure there are no unwanted surprises in the video, audio, or timed text playback of your DCP.
DCP Creation
Rate per Minute
Duration:
<45 min.
≥45 min.
Pricing:
$9/min + $90 core fee
$9/min (core fee waived)
Who is Matt?
Matt is a self-proclaimed A/V monkey who has worked in post-production for years (and years) (and years). There are entire decades in his life where he estimates he has spent more time in movie theaters than his own home.
He has worked for many of the major Hollywood media companies that offer DCP authoring services, was dismayed by much of their practices, and now wants to make it easy for you to screen your feature, short, music video, and more in the highest possible theatrical quality.